No-fee submissions from BIPOC writers, via post and Submittable: August 15–25, 2022 UPDATE, January 2023 : We regret that, due to the overwhelming response, we must close our general poetry and fiction windows at noon on February 3. General submissions, via post and Submittable ($3 fee for Submittable submissions): January 26–February 3, 2023 No-fee submissions from BIPOC writers, via post and Submittable: January 16–25, 2023 Henderson’s “Life in the Tar Seeps” and Erika Howsare’s “The First Thing a Plant Does Is Branch in Two” Nonfiction that engages with scientific research : for example, essays like Gretchen E. We’ll be open to fee-free submissions of metrical poetry debut fiction and nonfiction that engages with scientific research ONLY. No-fee submissions from current subscribers, via post and Submittable: January 26–March 1, 2023įebruary 14–15 is our annual Valentine’s Day reading period, on which we ask for work we love and would like to see more of. Please note that, depending upon interest, we may need to close before the end of our general window (January 26–February 3, 2023) in order to give the work we receive the attention it deserves. We occasionally must adjust submissions windows for administrative reasons if we do so, the new dates will be posted in this space. For more on our themed issues, visit our Upcoming Issues page. Submissions are considered for all upcoming issues, themed and unthemed. In our current and upcoming reading periods, we will consider work for upcoming unthemed issues and for the fall 2023 Labor Issue. ![]() ![]() A selection of writing and art from recent issues is featured on our website, where you can also order a copy of the magazine or subscribe. We strongly encourage writers to read work we’ve published before sending their own. Please review our complete guidelines before submitting. We are particularly interested in place-based work by people historically underrepresented in literary publishing and in place-based contexts: writers and artists who are Black, Indigenous, people of color, people with disabilities, gender-nonconforming, LGBTQIA+, women, and others. Mariano Toledano – production, egineering, recording, mixing and masteringĪll tracks composed and produced by The Missing Watermelonīestiar/Ref.Ecotone, the literary magazine dedicated to reimagining place, welcomes work from a wide range of voices. Manaswi Mishra – spoken word (on track 4) Narék Mnatsakanyan – keyboards (on track 4) Valeri Bombardó – drums, piano, synthetizers, organ and lyrics (on tracks 1, 4, 5 & 7) Recorded, mixed and mastered at Akrasonic Productions (Hospitalet de Llobregat) by Mariano Toledanoĭani Balcells – electric, acoustic & classical guitars, vocals, bass (on track 6) and lyrics (on tracks 2 & 3)Īlbert Pérez – bass, electric guitar (on track 6) and lyrics (on tracks 6 & 7) By the concept of an Ecotone the album intends to represent the journey of this character across different biomes (or emotional states) From a very dark and monochromatic emotional state to the awakening and acceptance that life will always present its ups and downs. This is a conceptual album which invites the listener to be the witness of a character’s journey across different stages in their life. The Missing Watermelon proudly releases their first LP, composed, produced and recorded over the last few years of the band before its dissolution
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |